Konigsburg, Elaine Lobl
Born: February 10, 1930, in New York City, New York
Vocations: Children’s Book Author, Teacher
Geographic Connection to Pennsylvania: Farrell, Mercer County; Pittsburgh, Allegheny County
Keywords: Art Students League; Carnegie Mellon University; chemistry; Newbery Medal; University of Pittsburgh
Abstract: Born on February 10, 1930, in New York City, Elaine Lobl Konigsburg grew up in various towns in Pennsylvania. She graduated from the Carnegie Institute of Technology and the University of Pittsburgh with a major in chemistry, though she would later become a schoolteacher and a writer of juvenile fiction. Konigsburg has won the Newbery Medal twice, for From the Mixed-Up Files of Mrs. Basil E. Frankweiler and The View From Saturday.
Biography:
Elaine Lobl Konigsburg, born on February 10, 1930, in New York, was the second of three daughters of businessman Adolph Lobl and Beulah Klein Lobl. Konigsburg spent her childhood in several small towns in Pennsylvania while growing up such as Phoenixville and Farrell, and Youngstown, Ohio. As a child, she read and was inspired by books such as The Secret Garden and Mary Poppins. In her teen years, she worked as a bookkeeper at the Shenango Valley Provision Company meat plant in Sharon (1947-1948), where she met her future husband, David Konigsburg. She graduated from high school in Farrell, Pennsylvania as her class’s valedictorian. Attending the Carnegie Institute of Technology (now the Carnegie-Mellon University) in Pittsburgh, she earned her chemistry degree and B.S. in 1952, even after suffering a couple of explosive accidents in the laboratory. On the side, she worked as manager of a dormitory laundry, as a playground instructor, a waitress, and a library page.
In July of 1952, she married David Konigsburg (by then an industrial psychologist), and they would have three children together—Paul, Laurie, and Ross. As a graduate student at the University of Pittsburgh (1952-1954), Konigsburg working as a research assistant in a tissue culture laboratory. She taught science at Bartram, a private girls’ school in Jacksonville, Florida (1954). After leaving teaching a year later to take care of raising her children, she returned to Bartram from 1960 to 1962. When her husband was transferred along with the family to Port Chester, New York in 1962, she took weekend lessons at the Art Students League.
The inspiration for her first novel came from her daughter, Laurie, hesitantly discovering new friends after moving to Port Chester in New York, an experience which culminated in Konigsburg writing Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth (1967) about two young outsiders of different races fitting into a New York community. The Booklist and Subscription Books Bulletin calls this “a fresh, lively story, skillfully expressed as thought by a ten-year-old,” and Konigsburg’s writing is “crisp, the narrative which ends with the stormy transformation of pretend witches into ordinary friends, abounds in humor, and the two witches, especially inscrutable Jennifer, who is a Negro, are characters to be remembered.” It was nominated for the Newbery Medal and won a Newbery Honor Book runner-up award. Written that same year and competing against Konigsburg’s first book, From the Mixed-Up Files of Mrs. Basil E. Frankweilerr (1967) concerns two sibling schoolchildren escaping from a suburban life of boredom to live in the Metropolitan Museum of Art, an event Konigsburg says was also inspired by her children’s finicky suburban nature. The book won the Newbery Medal in 1968. Kirkus Reviews claims “this one’s a dandy—just as fast and fresh and funny, but less spoofing, more penetrating.” Zena Sutherland of the Bulletin of the Center for Children’s Books describes this as “an engaging romp of a story, trembling the brink of unbelievability—but not quite getting there, since the setting is real and the children seem no less so—a sturdy, rational, thoughtful pair.” Elva Harmon of School Library Journal exclaims, “[This] is the kind of book our increasingly sophisticated pre-teens ask, for, and it has almost all they hope for in a book: humor, suspense, intrigue, and their problems acknowledged seriously but not somberly.”
1997 brought Konigsburg her second Newbery Medal for The View From Saturday, a novel told from the first-person perspectives of four members of a championship quiz bowl team and their paraplegic coach. Julie Cummins of School Library Journal calls The View From Saturday “an ingenious story,” wherein “Brilliant writing melds with crystalline characterizations in this sparkling story that is a jewel in the author’s crown of outstanding work.” Elizabeth Devereaux of Publishers Weekly writes that this book is “Glowing with humor and dusted with magic,” and that Konigsburg “orchestrates a stunning quartet of harmoniously blended voices…Wrought with deep compassion and a keen sense of balance, her imaginative novel affirms the existence of small miracles in everyday life.” Angela Reynolds of the School Library Journal writes, “Careful prose is well adapted into a funny, realistic, caring portrait through clear and varied voices. No bells and whistles are needed to bring this winner to life, just a skilled reading.”
In Konigsburg’s latest work, The Outcast of 19 Schuyler Place (2004), 12-year-old Margaret Rose is rescued from summer camp by her two eccentric uncles, and the girl soon wants to save two garden structures, “towers” built by the uncles, from demolition. Meg Wolitzer of the New York Times Book Review claims the author uses the main character’s experiences “as a springboard to a much more interesting story that involves ideas about art and integrity,” and Konigsburg’s depiction of “outsiders and outsider art is, like the towers themselves, a thing of strange beauty.” Deborah Stevenson of Bulletin of the Center for Children’s Books comments: “The hinge between the camp story and the towers story is somewhat creaky, but the towers themselves are evocatively depicted…there’s a satisfying pacing and patterning to the unfolding of the anti-demolition defense,” and the book “could be used to spice up an examination of outsider art or art in the community.” Peter D. Sieruta of The Horn Book Magazine writes, “Konigsburg tackles some big themes-the meaning of art, the power of community, and the importance of nonconformity-without sacrificing her usual incisive characterizations and inventive storytelling.”
Konigsburg returned to Jacksonville in 1968 with her family, where she has lived ever since. She passes the time gardening, painting, and drawing.
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This biography was prepared by Matthew Lavelle, Spring 2007.