Freeway

Even as we are trapped on the freeway with the protagonist of this wonderful comic, seemingly—even fearfully—going nowhere, we enjoy Kalesniko's vivid critique of the increasing commercialization of visual art.  As the animator in the classical studio experiences the demise of his dream, we are led to wonder about the comics industry too. Kalesniko's vivid existentialist drama of the dog and his artistic dream reassuringly demonstrates that in comics, at least, creativity and originality continue to flourish and (with this honor award) receive their rightful recognition.  –S. Squier

Some of the most highly regarded graphic novels (Watchmen, Maus, Blankets) use the comic form to comment on the medium or the struggles of the artist. Constructing a story that takes place at two different times, portraying the main character as two different species (at once a man, then a dog) Mark Kalesniko creates two comic worlds that could only takes place in a comic book. With allusions to the history of the classic studio animation, the use of anthropomorphism and a great relationship story, Freeway is a fantastic graphic novel.-–J. Secreto

How do we get to where we want to be - in the workplace, in love, in life, on LA's tangle of freeways?  Kalesniko's dog-faced protagonist lives and imagines dozens of possibilities for us in this melange, which offers both a staccato pace and a gentle lyricism.  How ironic that the pursuit of happiness turns out to be something of a demolition derby. –H. Pisciotta

Every nomination list needs one book that pays homage to the 1960s Existentialist movement.  The metaphor is the freeways of Los Angeles and our protagonist is stuck on them.  Through his thought and flashbacks we see an ambitious artist slowly and inexorably destroyed by the “Mechanism.”  He thinks he can escape, but his desperate attempts lead him only into “other boxes.”  The art work is perfect for this tale of hopeless desperation and despair.  It's great to see this theme again. –G. Masuchika